“Is the phone interview dead?” asked a recent PRDaily post that declared, “reporters hardly pick up the phone to talk to sources, let alone cover stories by face-to-face meetings. Interviews are now done via email, Facebook, Twitter and Skype.”
That can’t be true, I thought. Newsrooms couldn’t have changed that much since I left them in September after 26 years. But just to make sure, I asked a dozen working journalists for their thoughts. Their responses make clear the phone interview is not dead, and why that’s a good thing for good journalism as well as good public relations.
Like an in-person interview, a telephone conversation offers an immediate exchange of information, and, more importantly, understanding. A reporter can ask questions and the interviewee can respond. Ideally they can continue until they understand one another’s positions. The telephone allows for a level of detail, clarification and nuance not possible with other electronic methods.
That’s vitally important for PR people, who want reporters to have the best possible understanding of their position. They want to be able to steer the discussion toward the stronger aspects of their story and away from the weaker ones. That’s possible on the telephone, which has other benefits: It can be used to provide very basic background, and both sides can better tell when they’re being deceived.
Of the dozen journalists I reached out to, all but one who responded did so in enthusiastic defense of the phone interview. And while most feel it’s in fine health, a couple worried about its future.
‘Everything’s Scripted’
“In Washington, you get people in person or you get them by email,” said Jessica Meyers, the new transportation reporter at Politico. “There’s not much of a conversation where you call up and chat.” The capital’s pace is a factor, according to Jessica, who also observed that younger journalists may not be as comfortable using the telephone.
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RANT: Shock Value and Why Time Magazine Got it Wrong
Last week we got two reminders about going too far: the one you heard about and one you probably didn’t. But they prove the same point: If you’re going to go too far to call attention to something, you had better have a good reason and you had better deliver.
Courage and ‘Emblematic Images’
The other reminder about going too far came with the death on Thursday of Horst Faas, who won two Pulitzer Prizes for his photographs of wars in Vietnam and Bangladesh. Let’s let his New York Times obituary take it from there:
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